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The fans sprinted for their spots in front of the stage on this cool April evening. As is the custom at the century-old Clovis Rodeo outside Fresno, after the bull riders clear the arena, the spotlight is on music.

On this night, Cam is the headliner.

Cam is Camaron Ochs ’06, a relative newcomer in the country music scene. She writes her own songs and, like many in that genre, speaks her mind. Her breakout single “Burning House” was nominated for the 2016 Grammy for best country solo performance and went double platinum this summer (it’s sold 2 million copies).

In Clovis, she saved “Burning House” for last, inviting a fan onstage to sing the song with her. She knew all the words.

Earlier that same month, Cam performed in front of a very different audience in London, singing “Palace,” a song she co-wrote, with pop-soul star Sam Smith at the O2 — sold out to its 20,000 capacity — for four nights.

At press time, she was gearing up to release her next studio album. Two songs already debuted — “Diane” and “Road to Happiness” — and provide a glimpse of what’s to come. She has promised the forthcoming work to be confident and real — words that also describe the petite songstress who has said she isn’t afraid to write what she feels and call herself a feminist.

“I felt like going into this album I could make whatever I wanted, how I wanted and explore all these directions,” she said. “Instead of being afraid and making whatever I just made again, it’s progressed in such a way that it’s definitely the best music I’ve ever done.”

Cam grew up in Lafayette, California, in the East Bay Area. She sang in a children’s choir, listened to indie rock, learned to play guitar and wrote songs in her spare time. She also arranged vocals, crafting the right sounds and melodies for her songs.

When it came time for college, she visited a few campuses, but said she still recalls taking the tour of ��������. “I was like, ‘I want to be here.’ It was such a great vibe,” Cam said. “Everyone was friendly and easy going.”

She moved into the Cuarto dorms, where she met friends who she still counts as her best. And she immediately joined the co-ed a cappella group The Liquid Hotplates. At the end of freshman year, she approached fellow Hotplate and friend Jaclyn (Fromer) Cohen ’06 with an idea.

“She came to me and said we should really start our own group. I was like, ‘sorry, what?’” said Cohen, who is now a rabbi in Los Angeles. “Her vision was all-female, with more of a social dynamic to it, where we are supporting one another and creating things together. She used the word empowering, but for us back then it was about lifting up the voices of women. I had no idea how bold that was until much later in my life.”

Together, they formed The Spokes, the first all-female a cappella group on campus.

That first year, eight members joined The Spokes. (The group is named for part of the bicycle wheel because it relies on each piece for support.) They quickly became a close-knit group focused on performance from start to finish: identifying a repertoire, arranging the music, assigning parts, regular rehearsals and even choreography.

“This was before a cappella was cool. We were nerds,” said Cam.

The Spokes performed regularly on campus, singing a wide range of songs like Queen’s “Bohemian Rhapsody” and Kanye West’s “Gold Digger.” They also started an annual concert called HellaCappella to showcase a cappella groups from Northern California.

Ultimately, Cam double majored in psychology and Italian, studying abroad in Italy for junior year and the Netherlands for a shorter time.

Through her Italian studies, a new world opened up. Margherita Heyer-Caput, professor of Italian studies, remembers Cam as a good student, one who regularly contributed in class.

“Studying abroad gave her a new confidence,” Heyer-Caput said. “It was really a growth process for her. She was one of those students that we see flourish.”

In psychology, she studied attachment theory under Phillip Shaver, now distinguished professor emeritus. He said he remembers she won an award from the department in her final quarter.

From ��������, she went to work in psychology labs at UC Berkeley and Stanford University, as she contemplated a graduate degree. But something didn’t feel right.

She went to talk to her professor, Jeannie Ysi, at Stanford. “I remember asking her ‘should I continue?’” said Cam. “And she said I should just picture what I would regret more at 80 years old — missing out on psychology or missing out on music. And I decided on music.”

Cam surprised even her friends